Inserting head/eye pins in a Quilled Pendant - Tutorial

Hello All,

I am back (only to disappear again, after a while) with a tutorial. I've taken the bold step of making a video against the tide of slow Internet! :D Let us see after how many hours of "Trying to upload" does it go online :)

Many people had this question about how to insert the head/eye pin into a quilled pendant. So, here is how I do it (and it truly is very simple). This is only a guideline video and you're free to devise your own methods, based on what is available with you :)

With this tutorial, I am nearly touching a MILLION views on my blog :)

After a mere 3 years and 1 month of being in existence, I am fortunate enough to see this landmark on my blog. Thank you! Every single one of you :)

Loads of love and keep crafting............

Happy Quilling

Pritesh

PS: If my posts inspire you to create something on similar lines, I feel highly flattered. But please, do respect the effort I take in conceptualizing and executing, please give a direct link to my work when you are inspired by mine. Thanks for understanding........:-)

A blog hop with a difference

Hello All,

After a long long break from writing, I am back with a very unique blog hop, where I got involved, thanks to my College classmate and an avid crafter, Kripa Koushik. The number of years I've known her can't be counted on the fingers on our hands! We did Graduation together and then, recently got back in touch through the world of crafts.

She works magic with her mixed media layouts, and unlike me, cards! She has a distinct style, which often begs careful examination, for there are so many tiny details that add up to the big picture :)

I agreed to be a part of this hop because of the different format! This hop actually helps us all get to know each other better, as people and as crafters.............idiosyncrasies included! :D

More about me:

1. What am I working on?

A lot of things, like always. Quilled jewellery is something that always adorns my table. In addition, there are a couple of frames in various stages of non-completion. I just finished this jewellery piece (which took quite a bit of time, split over 3 days, to make). This is my attempt at recreating the ancient jewellery making technique - Thewa

2. How does my work differ from others of its genre?

I don't know if there is a lot of difference between the work I do and the others do, but I try to play by my strengths, namely, free-hand drawing and an understanding of the chemistry of the materials. The combinations of materials become a lot easier to devise once you know how they work in tandem. I try to exploit that information to get better at my work.

3. Why do I write/create what I do?

The simple answer is: Because that's what I can see myself doing day after day, for years to come. My husband once asked me: Where do you see yourself five years from now, and the only vision that I could come up with was: In a giant craft workshop, doling out really good craft pieces. I craft, because I live for it :)

4. How does your writing/creating process work?

This is a complex question to answer. Most times, the most difficult/tricky part is to come up with an idea. Often, ideas strike seeing something completely unrelated. And sometimes, something similar sparks an incremental idea. Often, it is the craft material itself that makes me think about how I can use it in a different way. 

Once the idea is in place, the first thing I do is a strength test. In my mind, I run through the process of creating it (earlier, I used to draw them but with experience, I am able to visualize them now). On the way, I look for loopholes like a hawk. I've an almost manic obsession with sturdiness. If my work is not sturdy, I take it as a  personal insult. So, making designs sturdy or devising processes to introduce sturdiness is what comes next. Often, I modify the design/idea to keep strength a priority. Once the process is clear in my head, I start with the actual execution. There have been rare times when I have been stumped by hurdles (largely, because of lacunae in my information database) but mostly, I've been able to foresee mistakes. If some mistakes get the better of me, I restart the whole process, subtracting the mistake.

I'll give one example. There was this one time I was making a yellow jhumka and no matter what I did, the yellow colour kept "leaking". It'd separate into a pale yellow part and dusty brown part. It took me 4 trials to figure out that it was the problem with the yellow paint (which I figured out after trying three different and top-of-the-notch brands) and the 4-step process finally because 7-step process to eliminate this pigment separation. 

To pass this baton on, I choose two of my favourite crafters: Manuela Koosch and Cecelia Louie.

Although neither of them need any introduction to crafters and quillers alike, I'll go ahead and introduce them (pardon me if I sound like a star struck teenager, but both these women are my role models!)

Manuela (or Manu, as I call her) is a crafter with superlative capability to transform the mundane to magic and if you think I am exaggerating, drop by to www.manuk.ro and see for yourself :)

Cecelia redefines "Design isn't when you can't add anything more, it is when you can't take anything away". She gives simplicity an elevation the way I haven't seen anyone do. Minimum talks maximum is a quote written for her.

Happy Hopping and thank you for dropping by!

Happy Quilling

Pritesh

PS: If my posts inspire you to create something on similar lines, I feel highly flattered. But please, do respect the effort I take in conceptualizing and executing, please give a direct link to my work when you are inspired by mine. Thanks for understanding........:-)